من به سینما نیاز ندارم تا واقعیت را ضبط کند. در بیرون پنجره‌ی خانه‌ی من واقعیت‌هایی بیشتر از تمام واقعیت‌های عرضه‌شده در تمام تاریخ سینما وجود دارد. اما آنچه هنر عرضه می‌کند، یک «حساسیت» نسبت به واقعیت است. آنچه در سینما رئالیسم خوانده می‌شود، نه واقعیت ضبط‌شده که حضور احساس‌شده‌ی فیلمساز است. یک دیالکتیک میان امر اُبژکتیو و امر سوبژکتیو.

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